The Femme Fatale in Text and Image: Analyzing Gender, Power, and Representation in Rudyard Kipling’s “The Vampire” and Philip Burne-Jones’s Painting

Abstract

This paper examines the connection between Rudyard Kipling’s poem “The Vampire” (1897) and Philip Burne-Jones’s painting of the same title, focusing on their portrayal of femininity and the interaction between text and image. Kipling’s poem, often viewed as a response to Burne-Jones’s depiction of actress Mrs. Patrick Campbell, presents a warning about the destructive allure of female beauty, highlighting themes of male disillusionment and betrayal. Burne-Jones’s painting emphasizes the femme fatale figure, portraying a sexually dominant woman overpowering a helpless man. Both works suggest that beauty conceals danger, leading to male ruin. Using Foucauldian and feminist frameworks, the paper critiques the politics of representation, arguing that the portrayal of women often reflects patriarchal anxieties, reducing them to passive objects in male-dominated visual culture. Critics like Linda Nochlin and Griselda Pollock are cited to challenge these depictions. The paper concludes that the female vampire theme reflects cultural fantasies rather than truths about femininity, contributing to ongoing discussions on how art and literature shape gender perceptions.